Le trésor des Marseillais. 500 av. J. -C., l'éclat de Marseille à Delphes. Epigraphie Religion Alongside Bonnard

Alongside Bonnard

the first artist to have perceived that cinema could be a means of expression in the same way as painting or sculpture

or the Roman power and how they were treated

the attention paid to the harmony of colors and the modeling of the bodies testify to his exceptional technical mastery

Le trésor des Marseillais. 500 av. J. -C., l'éclat de Marseille à Delphes. Epigraphie Religion Alongside BonnardHere is Marseille in Greece, at Delphi, around 500 BC, only a century after the founding of the Phocaean city: close to Athena, Apollo and the Pythia, her oracle; in the heart of one of the most famous sanctuaries of Antiquity, common to all Greeks. A dazzling presence, a sign of the economic success of the Marseillais of the time, their political maturity and their influence in the Mediterranean. To bear witness to this, they chose to dedicate to