André Dunoyer de Segonzac, La force de la nature, l'amour de vie. Rome as close as possible to

as close as possible to this involuntary midwife of the 20th century

The regulatory context of preventive archaeology

» The editorial narration is enriched by a vast iconographic apparatus: from the Accumulations of industrial objects and mass-produced products

A sort of inventory of nature

André Dunoyer de Segonzac, La force de la nature, l'amour de vie. Rome as close as possible toA comprehensive monograph devoted to the work of painter Andr Dunoyer de Segonzac (1884 1974). Fiercely independent, Dunoyer de Segonzac considered painting a religion. During the interwar period, his fame was equal to that of Marisse and Derain. Michel Charzat has followed the closely intertwined path of Dunoyer de Segonzac's work and life. The book traces the artist's career and reproduces more than 120 paintings and drawings, thus promoting this