Un art aux frontières de nos vies. Kunst im Grenzbereich. Rome It was upon returning from

It was upon returning from one of his trips to Lapland in 1962 that he created the "logograms

he graced the cover of Time magazine

discoveries

documents relating to the rental of donkeys or others

Un art aux frontières de nos vies. Kunst im Grenzbereich. Rome It was upon returning fromHealing what is broken is perhaps, for Christine Aebi Ochsner, the very basis of a creative poetic process. After numerous exhibitions in Switzerland and abroad, and a host of articles devoted to her unique and diverse work, Christine Aebi Ochsner wanted to make her work accessible to a wide audience in the form of a monograph. The richly illustrated work contains contributions from journalists, art historians and writers from very different